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Product managers, product owners, and scrum masters must be careful in calibrating the amount of velocity completed by a team in every sprint. They need to balance the maximum amount of work being completed and the risk of burnout by team members.
In this blog, you’ll explore the core principles, key roles, and essential events that make ARTs so compelling, along with best practices to ensure their success. Get ready to dive into a guide that will help you harness the power of ARTs to transform your organization’s agile journey.
Even though ARTs follow a structured cadence for development, they don’t force releases on a fixed schedule. Instead, teams release updates when the market or business needs them, ensuring flexibility while maintaining discipline in execution. This keeps customers happy without overburdening teams.
Imagine an orchestra where every musician plays at their own pace—it would be chaos. ARTs solve this by working on a fixed schedule known as a Program Increment (PI), typically lasting 8 to 12 weeks. This regular rhythm keeps teams aligned, removes the guesswork, and ensures deliverables are predictable and manageable.
When the numbers don’t match the plan, teams can quickly adjust—whether by reassigning tasks, tweaking priorities, or providing extra coaching. This open, ongoing dialogue helps address challenges immediately and builds a culture of trust and continuous learning.
Cinematic artwork
As with David’s painting, Napolean is depicted as an overtly masculine and handsome young man, casting a lustful glance toward the viewer. Here, Coppola doubles down on the naivete of her titular character, who even in the last throes of her reign, struggles to imagine the reality of her situation.
As they each branch off, Cameron finds himself face to face with Seurat’s A Sunday Afternoon on the Island of La Grande Jatte. This masterpiece of Pointillism seems to speak to the character’s angst, and specifically to his fear of disintegration and meaninglessness. John Hughes, the film’s director, accentuates this point by gradually zooming into the artwork, revealing its elemental point-based nature.
For audiences more appreciative of the finer things, director Ross and cinematographer Gordon Willis served up a veritable cinematic buffet. Set in depression era Chicago, the film features four recreations of famous paintings, with the centerpiece being a spot-on tableaux vivant of Edward Hopper’s Nighthawks. Those with a keen sense for detail will note that Hopper completed his piece eight years after the events of the film take place, and that his diner scene is set in New York, rather than Chicago.
Salvador Dalí’s ‘The Elephants’ strides into George Miller’s ‘Mad Max: Fury Road’. The movie’s desolate landscapes and peculiar machinery are a nod to Dalí’s surreal landscapes, showcasing the influence of surrealism in modern cinema.
Finally, Wes Craven’s ‘Scream’ finds its iconic mask in Edvard Munch’s ‘The Scream’. The movie’s memorable mask is a direct descendant of Munch’s agonized figure, turning a painting into a pop culture phenomenon.